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Matt’s Gallery
Return to menu Jordan Baseman: Blue Movie 4–25 July 2009 (Sat and Sun only) | don’t stop ’til you get enough 13 April–12 June 2005 | Editions | Link |
| Jordan Baseman | Building the exhibition space for Blue Movie, 2009 | ||
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![]() Work in progress for Jordan Baseman’s Blue Movie at Matt’s Gallery, June 09 |
![]() Jordan Baseman and Joe Watling building the exhibition space for Blue Movie |
Press Information In Blue Movie the main body of the found film is replaced with clear leader footage: allowing only a few seconds per edit, following the existing structure of the source material. Without censoring the original footage, the replacement material creates a charged space that is actively occupied by the soundtrack. We hear the narrator simultaneously discussing the history of pornography and its relationship to feminism from the right channel of a stereo system, while describing and analysing the Belgian made film document from the left. The merging of the two soundtracks, spoken by a single voice, creates a poetic and layered narrative for the film. Blue Movie expands Baseman’s recent focus on voice-propelled narratives, creating a synthesis between the aural and the visual. Through the restoration and subsequent use of the original film and the recording,
transcription and construction of the interviews with Pamela Church Gibson,
Blue Movie deals with ideas of power, patriarchy, feminism,
authorship, the history of film, and voyeurism. To see the build for this exhibition click here
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![]() Robin Klassnik, Jordan Baseman and Joe Watling Building the exhibition space for Blue Movie at Matt's Gallery |
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![]() Building the exhibition space for Blue Movie |
![]() Building the exhibition space for Blue Movie |
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