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In 2008, Robin Klassnik invited Paul Carter to transport his workspace to the
gallery in an attempt to recreate the conditions of the studio in flux. In
June 2009 the artist moved in and has been working in residence towards his
first exhibition at Matt’s Gallery.
Hotel is a sculptural installation that disrupts the architectural features
of the gallery, incorporating elements that have been transplanted from the
artist’s studio or reclaimed from other sites. Found materials – including
a derelict goods lift and a series of day beds that look like renaissance icons – are
re-crafted to explore notions of value and function. Resembling a life-size
architect’s model, the installation includes a series of compartments
and fixtures that echo the commercial or private buildings from which the materials
have been salvaged, suggesting an expanded ‘elsewhere’ beyond the
gallery walls.
Hotel is a transitory place: a temporary home or live-work space that sets
up a new relationship between the individual and the objects and architectures
that surround him. Transferring material elements and pre-existing works from
the studio and elsewhere becomes an extension of the acts of editing, layering
and containment that take place in the original sites. Reminiscent of Kurt
Schwitters’ Merzbau, where sculptural and architectural interventions
spill over from one place to another, Hotel extends the artist’s practice
beyond the notionally private space of the home or studio.
The artist will also be showing new work in the solo exhibition Rm.14 at Standpoint
Gallery, from 18 September until 24 October. Standpoint Gallery will host a
talk with the artist on Thursday 2 October at 6.30pm.
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To see the build for this exhibition click
here. |
Biography
Education 1994–1996
MA Sculpture Slade School of Art, University College London; 1990–1993
BA (Hons) Fine Art Sheffield Hallam University
Exhibitions 2008 Soot from the Funnel, Lokaal 01, Breda, Holland; Window
Seats, Fordham Gallery, London; Parallax Fieldgate
Gallery, London 2007 Intervention,
Fieldgate Gallery, London; The Breakfast Club HOV, London; Citadel
1 Front Room Killing Room, David Risley Gallery, London; Videoisme Mains
D'Oeuvres, Paris 2004 My Blood is Electric Spitz
Gallery, London; Pilot
1. International Art Forum, London; Covered Flash,
Whitechapel Project Space, London 2002
Face Off Cinema, Texas 7, International Short Film Festival, Austin,
Texas;
Spool
Pool Betsey
Trostwood, London; Back in 10 minutes, 10 Martello Street , London 2001 mise
en scene Centre for Freudian Analysis and Research, London 2000 Impossible
Touch Birmingham Margaret Street, BIAD, UCE 1998 Whitechapel
Open 98, Whitechapel Art Gallery and The Tannery, London
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