Press Information
The Golden Space City of God, Richard Grayson’s third exhibition at Matt’s
Gallery, is a large-scale video installation with sound featuring a new choral
work performed by a 26-piece choir. Within the gallery, theatre drapes and
plastic stacking chairs give the impression of a space linked to community
expression and exchange – a church or community hall – that speaks
of the formation of group identities and ideas of improvement and aspiration.
The Golden Space City of God score was composed by Leo Chadburn based on a
libretto by the artist – which appears as subtitles in the video work – abstracted
from a website associated with The Family, a community that developed from
the 1960s cult Children of God. It is based upon texts that give a detailed
prediction of events leading up to the end of the world, drawn from the Book
of Revelation and re-imagined through the languages and imagery of science
fiction. They describe the widespread economic and social unrest that will
spread across the globe following an oil crisis and the collapse of dollar-based
economies. Out of this chaos a world leader emerges, assisted by UFOs, who
establishes a worldwide government through his use of credit and barcode technologies,
pin numbers, UNESCO and the European Economic Community…
He builds a giant robot and Capitalism is abolished;
Jesus returns to Earth to fight against his empire and establish a kingdom
of the saved; A thousand years pass where survivors live in an ideal society based on an
agrarian economy of exchange, and the elect – who have been given new
supernatural indestructible bodies – rule over the rest of humankind,
using the power of invisibility to police them effectively;
The masses rise again only to be defeated by fire and plague and God descends
in the biggest space ship ever built, the Golden Space City, to take the elect
away to explore and colonise new planets and galaxies…
The Golden Space City of God was filmed at Say Si in San Antonio, Texas on
Saturday 14 March 2009 has been commissioned and produced by Artpace, San Antonio
and Matt’s Gallery, London.
To see work in progress for this exhibition click here
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Biography
Selected Solo
Exhibitions 2006 Suspicious Fires, Yuill/Crowley Gallery, Sydney 2005 Intelligence, Matt’s
Gallery, London 2004 Messiah, Matt’s
Gallery, London and Yuill/Crowley Gallery, Sydney; The Messiah, Kunstlerhaus
Gethanien, Berlin 2002 A Diary, A History,
A Walk up the Hill, Experimental Art Foundation, Adelaide; Ways the
World Ends, Yuill/Crowley Gallery, Sydney 2000 Negative
Space (things I
don’t understand), Yuill/Crowley Gallery, Sydney 1999 1000
accidents/Ahistoryofreading,
Institute of Modern Art, Brisbane; Ahistoryofreading Artspace, Sydney 1998 A
Famous Struggle/VariousThings Explained, Contemporary Art Centre, Adelaide
Selected Group Exhibitions 2009 International
Artist in Residence: New Works
09.01. curated by Trevor Smith at Artpace, San Antonio, Texas 2008 Obscurum
Obscurantis
Tallin Arthoone, Estonia 2007 A Number of
Worlds Resembling Our Own Smart Project
Space, Amsterdam; Navigations Per Forma Temple Bar Gallery, Dublin
2006 Happy Believers 7th Werkleitz Biennial,
Halle Germany 2005 Art
Unlimited Basel; Project 3 CACSA Adelaide; Electric Renaissance Culture-Centre
Halle; Gott
sehen - Das Überirdische als Thema derZeitgenössischen Kunst Kunstmuseum
des Kantons Thurgau, Kartause Ittingen, Switzerland 2004 Cartographies Performance
Space, Sydney; Planet B Magazin 4 Vorarlberger Kunstverein and Bregenzer Kunstverein,
Bregenz Selected Exhibitions as Curator 2007 Scary
Movie Contemporary Art Centre,
Adelaide 2006 This Will Not Happen Without You (Basement to Locus 1979 - 2007)
(Arts Council touring exhibition) John Hansard Gallery, Southampton, Hatton Gallery,
Newcastle and Belfast University; A Secret Service (Hayward Gallery
touring exhibition) Hatton Gallery, Newcastle, De La Warr Pavilion, Bexhill and
The Whitworth Gallery,
Manchester 2002 Sydney Biennale (The World May Be) Fantastic Sydney, Australia
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Bibliography
Selected Articles and Publications 2007 You
Talking to Me? On curating Group Shows that Give you a Chance to Join the Group Ralph
Rugoff, What Makes a Great Exhibition, Ed Paula Marincola, Philadelphia Center
for Arts and Heritage; A Secret Service, Sally O'Reilly, Art Monthly,
May issue; A Secret Service Peter Suchin, Frieze, issue 107; Odd
unnerving and utterly compelling, Kirsten Smith, The Guardian, January 27 2006 A
Secret Service Robert Clark, The Guardian, September 16 2005 Modern
Art: A Critical Introduction Pam Meecham & Julie Sheldon, Routledge; Richard
Grayson Gabriel Coxhead, Meta Papers; Richard Grayson Martin Herbert,
Time Out issue 63; Messiah, Richard Grayson Peter Suchin, Art Monthly,
February 2005 issue 28 2004 I am Good at
Games Ed Boris Kremer essays by Ihor Holubiziky and Astrid Mania, Planet
B Catalogue, Kunstlerhaus Bethanien; 2003 Ways
of Saying; Reflections on the recent paintings of Maria Cruz and Richard Grayson Art
and Australia, Vol 41, no 1 2002 In your
dreams, HQ Magazine, May; Why the Biennale is a bit of a miracle, Bruce
James, Sydney Morning Herald, 17 May; Fietta Jarque El capital siempre determina
a las biendes, El Pais, 16 Feb; Sydney apre la Biennale: la finzione
a di scena, Flash Art (Italy), April/May; 2002 Biennale of Sydney, Simon
Rees, Flash Art No 225 July/Sep; Cuts and thrust, Michael Hutak, The
Bulletin 16, April; A Fabulous Mess, Michael Hutak, The Bulletin, 4
June; As Good as a Wink, Benjamin Genocchio, The Weekend Australian
25 May; Tate Magazine, Issue 29, Summer; Biennale of Sydney, Jeff Gibson,
Artforum, Autumn; Fantasic Sydney Biennale, Michael Benton, Art in America,
November; Biennale of Sydney, Sotiis Kyriacou, Contemporary, June; Fabulous-Biennale, Hannah
Fink, Art Monthly (Australia), No. 151 Selected Writing
(articles and catalogue essays)
2008 A Number of Disappearances, catalogue essay, Mark Wallinger; Traceurs
To Trace, catalogue essay, Layla Curtis, Chelsea Space, Aargauer Kunsthaus
Switzerland; Door Window Draw, catalogue essay for exhibition of works
by Anna Barriball at Gallery Bo Bierggaard, Copenhagen, Denmark; Lindsay
Seers, SMART Papers, SMART Project Space, Amsterdam, Netherlands; Scary
Movie, catalogue essay, Contemporary Art Centre SA, Australia; Without
You This Will Not Happen: (Basement to Locus 1979 to 2007), University of
Sunderland Press 2006 Hexen 2039, Suzanne
Treister, essay, Black Dog Publishing; A Secret Service, Hayward Gallery 2005 Mike
Nelson: Between a formula and a code, contributors Peter Eleey, Richard
Grayson, Ralph Rugoff and Rob Tufnell, Turner Contemporary, Koenig Books 2004 Doubtiful:
dans les plis du réel University of Rennes, catalogue essay; Qualified
Survivors: A curriculum for artists, ed Paul Boneventura and Steven Farthing,
Ruskin School of Drawing and Fine Art, Oxford University 2003
Ideal States James Angus Hamburger Bahnhof, Berlin, catalogue essay 2002 Grasshopperworlds:
The World May Be Fantastic catalogue essay, Sydney Biennale; Mike Nelson:
The Deliverance and the Patience catalogue essay for Peer Trust, 49th Venice
Biennale
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