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Exhibitions 2008: Roy Voss Pine | Susan Hiller The Last Silent Movie | Paul Rooney La Décision Doypack | Willie Doherty Replays: Selected video works 1994–2007 2007: Michael Curran Look What They Done to My Song | John Russell Ocean Pose | Gary Stevens Wake Up and Hide 2006: Jimmie Durham Building a Nation | David Osbaldeston Your Answer is Mine | Mike Nelson AMNESIAC SHRINE or Double coop displacement | Anne Bean Shadow Deeds 2005: Brian Catling Antix | Fiona Crisp, Matthew Tickle, Phillip Warnell Hyper Passive, In Camera, Shock | Amikam Toren & John Frankland New works | Jordan Baseman don’t stop ’til you get enough | Melanie Jackson Made in China | Richard Grayson Intelligence | 2004: Richard Grayson Messiah | Nathaniel Mellors Profondo Viola | Lucy Gunning Esc | Matthew Tickle What the eye can’t see the heart can’t grieve for | Gail Pickering PRADAL | 2003: Gary Stevens Slow Life | Alison Turnbull Hospital | Melanie Jackson Some Things You Are Not Allowed To Send Around The World | Imogen Stidworthy The Whisper Heard | 2002: Willie Doherty Retraces | Jo Bruton Walk slowly towards the light | Till Exit strahlung.en | Victor Burgin Watergate | 2001: Nathaniel Mellors Black Gold | Elisabeth Ballet Bande à part | Juan Cruz Portrait of a Sculptor | Hayley Newman The Daily Hayley | 2000: Mike Nelson The Coral Reef | Carl von Weiler Lullaby | Anne Bean Radiant Fields | Fiona Crisp Photographic works | 1999: John Frankland (BACKSPACE) | David Troostwyk Mirror and Fur | Jaroslaw Kozlowski European Standards | Robin Klassnik Yellow Postal Sculpture | Melanie Jackson soil & seawater (BACKSPACE) | Lucy Gunning (BACKSPACE) | Xenia Dieroff Something’s got to give | Helen Robertson Untitled | Matthew Tickle Idyll | Ian McKeever Woodcut Study 1-f; Woodcut | 1998: Juan Cruz Sancti Petri | Melanie Counsell Screening of films | Graham Fagen Peek-a-Jobby | Brian Catling Were 1997: Lucy Gunning Malcolm, Lloyd, Angela, Norman, Jane | Kate Smith Imagine there are no limits | Willie Doherty same old story | Sean Dower No Room in Hell (Absent Qualia) | 1996: Mike Nelson Trading Station Alpha Cma | John Frankland What you lookin’ at? | Tony Bevan Head | Xenia K. Dieroff Involuntary Confessions | 1995: Melanie Counsell Matt's Gallery | Jaroslaw Kozlowski Soft Protection: The Great Britain and Northern Ireland Version | Matthew Tickle Scrutiny | Ian McKeever The Marianne North Paintings | 1994: Richard Wilson watertable | David Troostwyk New figurative works | Melanie Jackson …do you, or have you ever? | 1993: Kate Smith Levitation, Magician, Who Could Have Guessed There’d Be So Much Diversity | Matt’s Gallery Matt’s Gallery, London 1979-1991 | Thomas Holley Installation | Willie Doherty The Only Good One is a Dead On | 1991: Brian Catling At the Lighthouse | Susan Hiller An Entertainment | 1990: Willie Doherty Same Difference | Nat Goodden Parrallax | Kate Smith Shadow Box | Jaroslaw Kozlowski In Yellow | 1989: Melanie Counsell Matt’s Gallery | John Blake Vein | Richard Wilson She Came in Through the Bathroom Window | 1988: Edgar Heap of Birds Heh No Wah Maun Stun He Dun | Jimmie Durham Mataoka Ake Attakulakula Anel Guledisgo Hnihi | Gerard Hemsworth Self Portraits 1977/1987 | Rose Finn-Kelcey Bureau de Change | 1987: Kate Smith Smoke Trail: Smoke Screen | Brian Catling Lair | Jeff Instone Echoes | Richard Wilson 20:50 | 1986: Nan Hoover …Barely an Instant | Tony Bevan untitled | Jaroslaw Kozlowski The Academy | Hannah Collins Thin Protective Coverings | 1985: Hanna Luczak Cactus | David Troostwyk Realizations | Ian Breakwell The Waiting Room | Richard Wilson Sheer Fluke | 1984: Avis Newman Figure Who No One Is | Amikam Toren Actualities | Rose Finn-Kelcey Black and Blue | Joel Fisher Second Furlong | 1983: Imants Tillers White Aborigines | Anthony Wilson Traces of Make Up | Gerard Hemsworth Means to an End | Nan Hoover Intercept the Rays | Jeff Instone Casts | 1982: Jaroslaw Kozlowski Easy Drawings | Ian McKeever Black and White…or How to Paint with a Hammer | Tony Bevan paintings | Sue Arrowsmith Beside Myself | Nat Goodden Passageway | Avis Newman Scenes | John Blake One Day Back Home (Their Eyes) | Gerald Newman Trilogie | 1981: Amikam Toren Bluff and Double Bluff | Robert Janz Matinée | David Troostwyk National Day and other works | Tomasz Osinski Sharpened Bar | Tony Bevan paintings | 1980: John Blake installation | Michael Porter Labêcêde-Lauragais | Jeff Instone Script | Susan Hiller Work in Progress | Robin Klassnik & Tom Clark Five Pheromones: The Incomplete Documentation | Jaroslaw Kozlowski Caledonian Road Series | 1979: Joel Fisher installation | David Troostwyk Supreme Object |