Lucy Gunning, Esc, 2004 (installation view)
Lucy Gunning, Esc, 2004 (installation view)
Lucy Gunning, Esc, 2004 (installation view)
Press Information
This will be Lucy Gunning’s third solo exhibition at Matt’s Gallery.
She has worked with video footage to observe aspects of human behaviour, focussing
specifically on changes of state achieved through esoteric practice, intoxication,
and protest. The videos are situated within an installation comprising of a
large wall-painting that is both a back-drop and an abstract sign, and temporary
structures fabricated from newspaper and cardboard that create other spaces
within the gallery.
One video documents a group of people doing a particular Qi Gong exercise which
involves shaking over an extended period of time. (Qi Gong is a Chinese form
of exercise designed to stimulate the flow of energy through the body). Another
video focuses on businessmen re-orientating themselves to the outside world
to find their way home after an evening’s drinking. The third film depicts
tree-houses built as a protest in a landscape that is under threat. These are
temporary structures suspended above the land with rope walkways between them
for the purpose of avoiding the bailiffs; whilst, as mechanisms of escape, they
suggest fantasies of adventure and unrestrained existence.
Lucy Gunning would like to thank the following:
Martin Ashford (Financial Times), Judith Dean, John Frankland, Matthew Tickle,
Nathaniel Mellors, Chaja Lang (Bloomberg), Martyn Ridgewell, John Tindall, Magdalena
Wisniowska and Delfina Studio Trust.
This exhibition has been generously supported by The Henry Moore
Foundation and Bloomberg.
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Born Newcastle upon Tyne 1964, lives and works in London. Studied Goldsmiths College (MA) 1994; Falmouth School of Art, Cornwall, (BA) 1987 Solo exhibitions 2004 Quarry, Greene Naftali Gallery, New York; Esc, Matt’s Gallery, London 2003 Quarry, Spike Island, Bristol 2004 The Centre for Drawing, Wimbledon School of Art, London; Passing/Performance, Matt’s Gallery & GLOSS, Vauxhall, London 2001 Stage I (Show the Way Mischief), Westfalischer Kunstverein, Munster; Intermediate II, Greene Naftali, New York; Intermediate II, Art Now, Tate Britain, London 2000 Galeria Presenca, Porto, Portugal 1999 [BACKSPACE], Matt’s Gallery, London 1998 Greene Naftali Gallery, New York; Chapter Arts Centre, Cardiff; Presentation House Gallery, Vancouver; 1997 Malcom, Lloyd, Angela Norman & Jane, Matt’s Gallery, London; University of Buffalo Art Gallery, New York 1996 Flying, Harris Museum and Art Gallery, Preston; Greene Naftali Gallery, New York; City Racing, London; School of the Museum of Fine Arts, Boston 1995 Adam Gallery, London Selected Group Exhibitions 2005 Building Capacity, Storey Gallery, Lancaster 2004 Love Story, Danielle Arnaud Gallery, London; With Hidden Noise, Henry Moore Institute, Leeds 2003 Relaunch, Market Gallery, Glasgow; And the One Doesn’t Stir Without the Other, Ormeau Baths, Belfast; Lucy Gunning & Clara Ursitti, IBID Projects, Vilnius, Lithuania; 2002 Sunday Afternoon, 303 Gallery, New York 2001 Believe, Westfalischer Kunstverein, Munster; Liquor, Trafo-House of Contemporary Arts, Budapest, curated by Katalin Timar & Heather Galbraith; City Racing - A Partial History, curated by Matthew Higgs, Institute of Contemporary Arts, London 2000 British Art Show 5, National Touring Exhibitions: multiple venues in Edinburgh, Southampton, Cardiff, Birmingham; Everyone his own football, Kunsthal Rotterdam, Netherlands; Belvedere, Henry Moore Institute, Leeds 1999 Emboitages, Galerie Art & Essai, University of Rennes, curated by Ramon Tio Bellido; horsePLAY, Real Art Ways, Hartford, Conneticut, curated by Barry Rosenberg; Getting the Corners, curated by Matthew Higgs, Or Gallery, Vancouver; Künstlerwerkstatt Lothringerstrasse, Munich, with Juan Cruz, curated by Susanne Gaensheimer; W13999, W139, Amsterdam; Thinking Aloud, curated by Richard Wentworth, National Touring Exhibitions, to Kettles Yard Cambridge, Camden Arts Centre, London; Images: Festival of Independent Film and Video, Toronto, Canada 1998 Select, Film & Video Umbrella exhibition touring to Arnolfini, Bristol, Camden Arts Centre, London, Angel Row Gallery, Nottingham and Turnpike Gallery, Leigh; Voiceover, National Touring Exhibitions, to Arnolfini, Bristol, Hatton Gallery, Newcastle, Nottingham Castle Museum & Art Gallery; C’est La Vie, Centre d’Art Contemporain, Bruxelles; Centro de Fotografia de la Univeridad de Salamanca; Centre International d’Art Contemporain de Montreal; Do All Oceans have Walls?, venues throughout Bremen; Camoflague 2000, Gallerie Praz-Delavallade, Paris; Wrapped, Vestsjaellands Kunstmuseum, Soro 1997 Killing Time, White Columns, New York; False Impressions, British School at Rome, Rome; Treasure Island, Centro De Arte Moderna Jose Azeredo Perdigao, Fundacao Calouste Gulbenkian, Lisbon; Ground Control, Beaconsfield, London & Jutempus, Vilnius; Wait & See (what’s for dinner?), Towner Art Gallery, Eastbourne; Offside, firstsite, Colchester; Perish, Duende, Rotterdam 1996 Cerimonial, curated by Barry Schwabsky, Apex Art C.P, New York; Video Faz, Curated by Ruben Gallo & Terence Gower, Art & Idea, Mexico City; Museo Regional, Guadalajara; Behind Closed Doors: Video in Interior Spaces, The Museum of Contemporary Art Chicago; Video from Centre Georges Pompidou, Artists Space, New York; Stockholm Smart Show, Sweden; Toyama Now’96: The Sixth Annual International Contemporary Art Exhibition, The Museum of Modern Art, Toyama, Japan; Offside, Manchester City Art Galleries 1995 Video Positive, Liverpool; KINE [Kunst] ’95, Belgium; Tell Everyone, Greene Naftali, New York; Speaking of Sofas, Soho House, London; Ideal Standard Summertime, Lisson Gallery, London; Whistling Women, Royal Festival Hall, London; X/Y, Centre Georges Pompidou, Paris; 1994 The Curator’s Egg, Anthony Reynolds Gallery, London; Out of the Nineties, Mall Galleries, London; Wish You Were Here, Bank, London/Newcastle; Ecstasy of Limits, Gallery 400, Chicago; The Cologne Art Fair, Cologne; Nikolai Wallner Gallery, Copenhagen; BT New Contemporaries, Touring: London, Manchester, Bristol, Edinburgh, Bradford, Aberystwyth 1993 Super 8 Moments, London Film Makers Co-op, London; 1991 Lucy Gunning/Martyn Ridgewell, Open Hand Gallery, Reading; 1987Whitworth Young Contemporaries, Whitworth Gallery, Manchester Awards and Residencies 2004 Paul Hamlyn Foundation Award for Visual Arts; Informal Architectures, The Banff Centre, Canada 2003 Spike Island, Moving Image Residency and Exhibition, Bristol 2002 The Centre for Drawing, Wimbledon School of Art, London 2001 DAAD award for residency at Westfalischer Kunstverein, Munster; The British School at Rome, Rome Scholarship, (six month residency) 2000 LAB Visual Arts Fund: Artists 1996 LAB Individual Artists Award 1994 BT New Contemporaries Award 1987 Granada Foundation Prize, Whitworth New Contemporaries; Falmouth School of Art Sculpture Award Collections Arts Council Collection, Hayward Gallery, London; Tate Gallery, London; Museum of Modern Art, Toyama; Centre George Pompidou, Paris; Contemporary Art Society, London; Herbert F. Johnson Museum of Art, Cornell University, New York; Private Collections, London and New York
Bibliography
2004 Becoming-hysterical-becoming…,
Ruth Jones, JVAP, Vol 3 issue 2 Sept, pp 123-138; Lucy Gunning, Greene
Naftali Gallery, Village Voice, New York, July 7-13; Lucy Gunning,
Greene Naftali Gallery, Ken Johnson, New York Times, July 9; Lucy
Gunning, Matt’s Gallery, Rachel Withers, Critics Picks, Artforum.com,
June; Lucy Gunning, Matt’s Gallery, Barry Schwabsky, Artforum,
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Victoria Walters, Circa 106, Winter; Lucy Gunning, Spike Island, Sally
O’Reilly, Art Monthly, November 2002 Lucy
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Tate Britain, Mark Currah, Time Out, 2-9 January 2000
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and latitude, Rob Stone, Tate Magazine, Summer; Thinking Aloud,
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Artforum, February 1998 Art of the Moment,
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Lucy Gunning, Matt’s Gallery, Jennifer Higgie, Frieze, Issue
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