Lindsay Seers

Lindsay Seers works in London and lives on the Isle of Sheppey. She studied Sculpture and Media at the Slade School of Fine Art, and MA Fine Art at Goldsmiths College, London, where she now works as a lecturer on the MA Fine Art programme. She is best known for her video installations and the hundreds of images she has produced using her own body as a camera. These works explore complex ideas and situations through elliptical narratives that are shaped by an evolving set of connections and coincidences that the act of making evokes.

Works

Lindsay Seers and Keith Sargent, Nowhere Less Now3 [Flying Saucer], Sharjah Art Foundation, 2020. Commissioned and produced by Artangel, London, Sharjah Art Foundation and the Museum of Old and New Art, Hobart, Tasmania.
Lindsay Seers and Keith Sargent, Nowhere Less Now3 [Flying Saucer], Sharjah Art Foundation, 2020. Commissioned and produced by Artangel, London, Sharjah Art Foundation and the Museum of Old and New Art, Hobart, Tasmania.
Lindsay Seers and Keith Sargent, Nowhere Less Now3 [Flying Saucer], Sharjah Art Foundation, 2020. Commissioned and produced by Artangel, London, Sharjah Art Foundation and the Museum of Old and New Art, Hobart, Tasmania.
Lindsay Seers and Keith Sargent, Nowhere Less Now3 [Flying Saucer], Sharjah Art Foundation, 2020. Commissioned and produced by Artangel, London, Sharjah Art Foundation and the Museum of Old and New Art, Hobart, Tasmania.
Lindsay Seers, from Extramission 2 (The Trilogy), 2005-2020. Rugby Art Gallery and Museum.
Lindsay Seers, The Necromancers (still), 2010.
Lindsay Seers, The Necromancers (still), 2010.
Lindsay Seers, Care(less), Fabrica, Brighton, 2019.
Lindsay Seers, Care(less), Fabrica, Brighton, 2019.
Lindsay Seers, Care(less), Fabrica, Brighton, 2019.
Lindsay Seers, Care(less) (unwrapped 360 VR image), 2019.
Lindsay Seers, Care(less) (unwrapped 360 VR image), 2019.
Lindsay Seers, Vanishing Twin (Tetragametic Chimerism), Fotogalleriet, Oslo, 2019.
Lindsay Seers, Vanishing Twin (Tetragametic Chimerism) (still), 2018/2019.
Lindsay Seers, Entangled2 (Theatre II), 2013. Installation view by Chrisopher Baaklini, Sursock Museum, Beirut, 2018.
Lindsay Seers, Entangled2 (Theatre II), 2013. Installation view by Chrisopher Baaklini, Sursock Museum, Beirut, 2018.
Lindsay Seers, Entangled2 (Theatre II), 2013. Installation view by Chrisopher Baaklini, Sursock Museum, Beirut, 2018.
Lindsay Seers, Nowhere Less Now⁵, 2010 - 2016. Installation view, Film London Jarman Award, A Journey Through the First Decade, Whitechapel Gallery, London, 2018.
Lindsay Seers, Every Thought There Ever Was, the MAC, Belfast, 2018. Installation view by Simon Mills.
Lindsay Seers, Every Thought There Ever Was, the MAC, Belfast, 2018. Installation view by Simon Mills.
Lindsay Seers, Every Thought There Ever Was, the MAC, Belfast, 2018. Installation view by Simon Mills.
Lindsay Seers, Every Thought There Ever Was, Hospitalfield, Courthouse 88 Arbroath High Street, 2019. Installation view by Thomas Flanagan.
Lindsay Seers, Every Thought There Ever Was, Hospitalfield, Courthouse 88 Arbroath High Street, 2019. Installation view by Thomas Flanagan.
Lindsay Seers, Every Thought There Ever Was, Hospitalfield, Courthouse 88 Arbroath High Street, 2019. Installation view by Thomas Flanagan.
Lindsay Seers, Every Thought There Ever Was, Hospitalfield, Courthouse 88 Arbroath High Street, 2019. Installation view by Thomas Flanagan.
Lindsay Seers, Every Thought There Ever Was, Focal Point Gallery, 2018.
Lindsay Seers, Every Thought There Ever Was, Focal Point Gallery, 2018.
Lindsay Seers, Every Thought There Ever Was, Focal Point Gallery, 2018.
Lindsay Seers, Every Thought There Ever Was, the MAC, Belfast, 2018. Installation view by Simon Mills.
Lindsay Seers, Every Thought There Ever Was, the MAC, Belfast, 2018. Installation view by Simon Mills.
²The World Made New, Pi Artworks, London, 2017.
Lindsay Seers, Suffering, MONA Museum of Old and New Art, Tasmania, 2018.
Lindsay Seers, Suffering, MONA Museum of Old and New Art, Tasmania, 2018.
Lindsay Seers, Suffering, MONA Museum of Old and New Art, Tasmania, 2018.
Lindsay Seers, Extramission 2 [False Memory], Rugby Art Gallery and Museum, 2020.
Lindsay Seers, Extramission 2 [False Memory], Rugby Art Gallery and Museum, 2020.
Lindsay Seers, Mental Metal 2, 2017. Installation view, Art Night, Andaz Hotel Masonic Temple, London, 2017.
Lindsay Seers, Mental Metal 2, 2017. Installation view, Art Night, Andaz Hotel Masonic Temple, London, 2017.
Lindsay Seers, Mental Metal, Casebooks Project, University of Cambridge, Ambika P3, London, 2017. Installation view by Michael Mazière/ David Freeman.
Lindsay Seers, Mental Metal, Casebooks Project, University of Cambridge, Ambika P3, London, 2017. Installation view by Michael Mazière/ David Freeman.
Lindsay Seers, Mental Metal, Casebooks Project, University of Cambridge, Ambika P3, London, 2017. Installation view by Michael Mazière/ David Freeman.
Lindsay Seers, Nowhere Less Now7, Glynn Vivian Art Gallery, 2016. Installation view by Eva Bartussek.
Lindsay Seers, Nowhere Less Now7, Glynn Vivian Art Gallery, 2016. Installation view by Eva Bartussek.
Lindsay Seers, Nowhere Less Now7, Glynn Vivian Art Gallery, 2016. Installation view by Eva Bartussek.
Lindsay Seers, automated ventriloquist dummies.
Doug Fishbone’s Leisure Land Golf, QUAD, Derby, 2016. Installation view by Charlotte Jopling.
Doug Fishbone’s Leisure Land Golf, New Art Exchange, Nottingham, 2016. Installation view by Bartosz Kali.
Doug Fishbone’s Leisure Land Golf, EM15, Venice Biennale, 2015.
Lindsay Seers, Monocular⁵, Sami Center for Contemporary Art/Sámi Dáiddaguovddáš, Karasjok, Norway, 2014.
Lindsay Seers, Monocular⁵, Sami Center for Contemporary Art/Sámi Dáiddaguovddáš, Karasjok, Norway, 2014.
Lindsay Seers, Monocular⁵, Sami Center for Contemporary Art/Sámi Dáiddaguovddáš, Karasjok, Norway, 2014.
Lindsay Seers, Entangled2 (Theatre II), Matt’s Gallery, London, 2013.
Lindsay Seers, Entangled2 (Theatre II), Matt’s Gallery, London, 2013.
Lindsay Seers, Entangled2 (Theatre II), Matt’s Gallery, London, 2013.
Lindsay Seers, Entangled2 (Theatre II), Matt’s Gallery, London, 2013.
Lindsay Seers, Entangled2 (Theatre II), Matt’s Gallery, London, 2013.
Lindsay Seers, Entangled2 (Theatre II), Matt’s Gallery, London, 2013.
Lindsay Seers, Monocular3, 2011. Installation view by Marc Doradzillo, Ich is ein Anderer, Kunstverein, Freiburg, Germany.
Lindsay Seers, Monocular3, 2011. Installation view by Marc Doradzillo, Ich is ein Anderer, Kunstverein, Freiburg, Germany.
Lindsay Seers, Monocular3, 2011. Installation view by Marc Doradzillo, Ich is ein Anderer, Kunstverein, Freiburg, Germany.
Lindsay Seers, ​​Extramission 6 (Black Maria), 2009. Installation view, REALITY BITES, Kiasma, Helsinki.
Lindsay Seers, ​​Extramission 6 (Black Maria), 2009. Installation view, REALITY BITES, Kiasma, Helsinki.
Lindsay Seers, Extramission 6 (still), 2009.
Lindsay Seers, Nowhere Less Now, an Artangel project, the Tin Tabernacle, London, 2012. Installation view by Ewa Axelrad.
Lindsay Seers, Nowhere Less Now, an Artangel project, the Tin Tabernacle, London, 2012. Installation view by Ewa Axelrad.
Lindsay Seers, Nowhere Less Now, an Artangel project, the Tin Tabernacle, London, 2012. Installation view by Ewa Axelrad.
Lindsay Seers, Nowhere Less Now, an Artangel project, the Tin Tabernacle, London, 2012. Installation view by Ewa Axelrad.
Lindsay Seers, Nowhere Less Now (still), 2012.
Lindsay Seers, Nowhere Less Now (still), 2012.
Lindsay Seers, Extramission 6 (Black Maria), Gallery TPW, Toronto, 2011.
Lindsay Seers, Extramission 6 (Black Maria), 2009. Installation view, Altermodern, Fourth Tate Triennial, Tate Britain, 2009.
Lindsay Seers, Extramission 6 (Black Maria), 2009. Installation view, Altermodern, Fourth Tate Triennial, Tate Britain, 2009.
Lindsay Seers, Dis-covery, Salamanca Art Centre, Tasmania, 2011.
Lindsay Seers, Dis-covery, Salamanca Art Centre, Tasmania, 2011.
Lindsay Seers, Dis-covery, Salamanca Art Centre, Tasmania, 2011.
Lindsay Seers, It has to be this way 2, BALTIC Centre for Contemporary Art, Gateshead, 2010. Installation view by Colin Davison.
Lindsay Seers, It has to be this way 2, BALTIC Centre for Contemporary Art, Gateshead, 2010. Installation view by Colin Davison.
Lindsay Seers, It has to be this way 2, BALTIC Centre for Contemporary Art, Gateshead, 2010. Installation view by Colin Davison.
Lindsay Seers, It has to be this way 2, Mead Gallery, Coventry, 2010. Installation view by Colin Davison.
Lindsay Seers, It has to be this way 2, Mead Gallery, Coventry, 2010. Installation view by Colin Davison.
Lindsay Seers, It has to be this way 2, Mead Gallery, Coventry, 2010. Installation view by Colin Davison.
Lindsay Seers, Persistence of Vision, Kunsthallen Nikolaj, Copenhagen, Denmark, 2010.
Lindsay Seers, It has to be this way, Matt’s Gallery, London, 2009.
Lindsay Seers, It has to be this way, Matt’s Gallery, London, 2009.
Lindsay Seers, It has to be this way, Matt’s Gallery, London, 2009.
Lindsay Seers, It has to be this way, Matt’s Gallery, London, 2009.
Lindsay Seers, It has to be this way, Matt’s Gallery, London, 2009.
Lindsay Seers and Keith Sargent, Nowhere Less Now3 [Flying Saucer], Sharjah Art Foundation, 2020. Commissioned and produced by Artangel, London, Sharjah Art Foundation and the Museum of Old and New Art, Hobart, Tasmania.

Lindsay Seers and Keith Sargent, Nowhere Less Now3 [Flying Saucer], Sharjah Art Foundation, 2020. Commissioned and produced by Artangel, London, Sharjah Art Foundation and the Museum of Old and New Art, Hobart, Tasmania.

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